“One of the more visually arresting systems that still sounded remarkably lifelike (that is not always the case, dear readers), came at the synergistic interaction of Serbia’s Trafomatic Audio electronics, Romania’s Rockna Audio sources, and Greece’s TuneAudio speakers, using a full loom of the Norwegian Skogrand cables”
Greg Weaver at EnjoyTheMusic
“The most “musical” system in this year’s show? You bet.”
Panagiotis Karavitis at Part-Time Audiophile
“This was my favorite of my three favorite large rooms at the show”
Mike & Cornelia at Audio Federation
“The big horns were pushed along nicely by Trafomatic amps and the unmistakable Skogrand cables hooked everything up wonderfully.”
Jay Garrett at Stereonet UK
“Some speakers stand out because of their special appearance. They are beautiful (which of course is in the eye of the beholder), that they do not have to make any sound to have their right to exist. You can also simply accept them as objects – arts. Such a candidate is Tune Audio. The nice thing about Tune Audio is that the speakers also sound wonderful. A big, wide, highly relaxed sound with a high degree of naturalness.”
Ingo Schulz at Fidelity
Amongst the best systems of the show
Panagiotis Karavitis at Part-Time Audiophile
“I must say it turned out probably the most “do not horn” sound. Cheerfully and with a good intelligibility of the played just rock. For me, this system has become indicative at the exhibition in the sense that such structures and systems are not required to paint, and can just sound great on a variety of music.”
Victor Gorbatov at Stereo.ru
“… monumental horn speaker Avaton, which are reminiscent of historic Western Electric, but are in full tonal sound and even chamber music touchingly realistic play.”
“Among the systems that I liked the most this year …”
José Manuel Delgado at HiFiLive magazine
“This system stole the show for me at last years High End in Munich leaving me in tears – in a good way, though. The system was pretty much as last years and was just as stunning.”
“The sound was effortless, emerging naturally from a huge soundstage, which was evident even far outside the sweet spot. These huge horns completely disappeared in the room. A very impressive system.”
Best of show
T-Art
